If we had created that artificially, the audience would've smelled that a mile away."Ĭreating the odd, grass-covered burial mounds, then re-creating the uncovering of the massive Anglo-Saxon ship imprinted in the soil (the ship's wood had decayed over the centuries), was a tremendous undertaking. You need to present what it’s like to be there, the shock of sudden discoveries. "The reason we invest in unusual stories about these weird worlds is because you can feel the fabric of truth in everything you are watching. "We had to do it for real," says director Simon Stone. What to stream this weekend: Denzel Washington in 'The Little Things,' Justin Timberlake is 'Palmer' "The Dig" filmmakers tapped into the human drama of the famed find involving amateur archaeologist Basil Brown (Ralph Fiennes) and the site's wealthy widowed landowner Edith Pretty (Carey Mulligan) and added a side love story involving a young archaeologist (Lily James).īut the big draw is the striking screen creation, the impressively rebuilt Sutton Hoo excavation site where the 100-foot-long ship was uncovered. Indiana Jones is always stealing things from tombs," says archaeologist Roy Stephenson, who consulted on "The Dig." "It's quite slow and painstaking, so potentially an archaeological excavation could be like watching paint dry. "Archaeological movies tend to be quite sensational. The reality of the achingly deliberate work required to unearth even the grandest archaeological treasure presented a major hurdle for "The Dig" (streaming now on Netflix), which centers around the historic 1939 Sutton Hoo excavation of a treasure-packed seventh-century Anglo-Saxon burial ship and cemetery in an English field. Watch Video: Carey Mulligan mulls on 'year of self-examination'īrace yourself for some cold movie truths: Actual archaeology is not the swashbuckling adventure seen in Indiana Jones movies.
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